File Size: 11336 KB
Print Length: 224 pages
Publisher: McFarland (October 14, 2013)
Publication Date: October 14, 2013
if you have an overarching theme to the book, it's that correll and gosden's contributions to broadcasting, which often were far reaching and numerous, have been unfairly hidden by the various controversies surrounding amos 'n' andy over the years: e. g., they practically invented the particular concept of syndicated transmissions, the daily serial structure, and to a huge extent, the particular very concept of a completely plotted continuing radio collection. what louis armstrong was to american popular audio, correll and gosden were to broadcasting.
in addition, mcleod also concerns herself mostly with shattering numerous well-established myths surrounding the duet and the show. for instance, she thoroughly-- yet respectfully-- debunks the notion that amos 'n' andy was a new controversial show during their initial serial run. she convincingly presents evidence of which the only major organized protest against the demonstrate by african americans was by a philadelphia newspaper within 1931, and that the publisher's motivation was more prone to boost the blood flow of his newspaper as compared to to express any authentic outrage. in any event, the general public failed to rally around the cause, in addition to the first instance of significant organized protest
against amos 'n' andy didn't ocurr until the tv set era. even then, mcleod factors out, radio stations show-- which often was still around the air-- remained almost entirely exterior the storm of dispute.
she also demonstrates, through fascinating excerpts from the particular original scripts, that the particular world of amos 'n' andy was far through a simplistic and criticizing exploitation of stereotyped minstrel characters. the lack regarding surviving recordings from the serial era, and the large popularity of the later on radio and television
sitcom versions, have all but completely obscured how various and individualized the characters populating the amos 'n' andy universe were. within fact, it might have already been the only show on radio to have offered african americans as something *but* subservient characters.
the particular book is extremely nicely written, perfectly straddling the terminology line between serious educational study and readability. there's enough material here along with enough backing evidence in addition to research to justify a new doctoral thesis, nevertheless the writing is never anything below completely fluid and accessible, unlike so many educational pop culture studies (ever read any "serious" film criticism? my *goodness*. )
the book itself will be hardbound with a lovely laminated cover (no dust particles jacket included or required), with numerous black in addition to white photographs throughout. a great appendix provides a in depth analysis of the scores history of the program over the years, which debunks
just one more myth that the particular soaring demand for the demonstrate in its early years was followed by a sharpened decline in listenership within the early '30s.
while a lttle bit around the pricey side, the monumental nature regarding the task in front of you, in addition to my guess that mcleod's years of research job was not funded by simply grants, and the fact that the topic itself has this kind of limited potential readership, i can imagine she will ever receive anything close to the compensation she should get. i was pretty delighted to contribute something to the "cause". i've spent less on other serious OTR studies and regretted the particular
money spent. this guide is well worth the investment., Regarding far too long historical past has ignored the enormous contributions to the radio stations medium by two men who were radio story-telling innovators. The two men were Freeman F. Gosden and Charles J. Correll---Amos 'n' Andy.
Most radio and interpersonal histories dismiss Amos 'n' Andy as merely "racist, " however they fail to be able to put Amos 'n' Andy in a proper point of view.
Finally someone has come along who has set the particular record straight--Elizabeth McLeod.
Utilizing the original scripts as the girl primary sources, she has painstakingly retold the correct story of Amos 'n' Andy---leaving the question of the particular program's place in competition relations up to individuals who wish to make up their own minds---which they may have little trouble doing, as the facts usually are presented evidently and precisely in this book.
I highly recommend this guide to anyone enthusiastic about Amos 'n' Andy or the particular history of broadcasting in addition to mass media in the particular United States. I might like to see the complete Amos 'n' Andy scripts published in book form---perhaps this is accomplished on the coat-tails of the work.
Athens, GA, This guide is a must-read. Period.
Okay, that's not much of a review. But it's a new fact. If you have any interest in genuine broadcasting historical past - indeed, if you wish to be able to know how broadcast enjoyment evolved to embrace types that we know in addition to like to the present day time, and you want to be able to know JUST WHO WAS DEPENDABLE - this guide is a new must-read.
Most of you only know very well what you've already been told about "Amos 'n' Andy. " Most regarding you have been tricked by so-called "enlightened scholarship" that has reduced this particular once-beloved show to just what one revisionist termed "a nightly racial slur. inches
Behold instead the job of a genuine scholar, Elizabeth McLeod, who has evaluated all the latter-day critiques and not-so-benign neglect surrounding Freeman Gosden in addition to Charles Correll's place within broadcast history and and then sets the record directly with facts.
This will be a thoroughly enjoyable, informative, fascinating account of a new program that captivated hundreds of thousands of listeners of just about all races. It's a history of two performers who else created characters that just about all of America cared concerning and considered friends. It's an account of the particular power of intimacy within all of broadcasting, whether or not strictly aural, visual or perhaps both. And it's a new meticulous, exhaustively researched paperwork of data that proves without having doubt that Amos Jones and Andy Brown were beloved since they represented of which which is good in addition to decent in humankind, foibles and all.
Sadly, I know some who flatly declare they may never read this book (hopefully they won't be writing "reviews" here). I don't realize whether they're afraid to be able to let go of their own pre-conceived notions, or scared to think for by themselves - or simply afraid to be able to be seen reading some thing with "Amos 'n' Andy" on the cover. To carry on to skewer radio's "Amos 'n' Andy" without getting read and reflected upon this work is akin to saying, from 1928-43, this nation consisted regarding about 50 million racists, some of whom can be found in your own family tree.
The time has come - it was long past due - to set the particular record straight about "Amos 'n' Andy" and their creators; coming back America to be able to know the rest regarding this story.
This guide is a must-read.
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